Structural Confusion in Advent

By Paul Inwood, November 18, 2025

Advent is a time when musicians can run into difficulties with their pastors. If you’ve never encountered this yourself, you may think you needn’t be bothered by what follows, but in fact it concerns all of us ― because the problem lies in the structure of Advent itself.

Often the first hint the musician has of an impending difficulty is when the pastor unexpectedly forbids the use of the hymn Come, O Come, Emmanuel before the 3rd Sunday of Advent. The reason for this is that the priest is working out of an older tradition that he will have received during his seminary training. In this tradition, the structure of Advent is in two sections: (1) up to December 16, and (2) after December 16. For many centuries the Divine Office used the “O Antiphons” (so called because each one begins with the word “O”) as the Magnificat antiphon in the run-up to Christmas. Traditionally these ancient antiphons, rooted in the Old Testament, were not begun until December 17, and then one was sung each day until Christmas, before and after the Magnificat.

The hymn O come, O come, Emmanuel is a translation of these “O” antiphons (though with the antiphons in a different order from that in the Office). This is why some priests do not want to hear these words until after December 16 ― the Church formerly did not allow them to be used before December 17, and the current Divine Office still continues with this arrangement.

Table 1 shows the twofold structure of Advent.

Table 1

STRUCTURE OF ADVENT (Weekday Lectionary and Divine Office)

Up to December 16“O” Antiphons traditionally forbidden
December 17-24 (excluding the 4th Sunday of Advent)“O” Antiphons, one each day (Divine Office and Weekday Gospel Acclamations, but NB: the sequence of antiphons is not identical)

As you can see from Table 1, not only does the Divine Office still maintain this twofold structure of Advent, but so does the current Weekday Lectionary. Each scripture verse laid down for the Gospel Acclamations for December 17-24 also is one of the O Antiphons. However, once again the order of the Antiphons is not identical with that of the Magnificat antiphons in the Divine Office. (Here, we are reaping the rewards of two different working groups of the Consilium, the body responsible for the postconciliar revisions. One group worked on the Lectionary, another on the Office. Unfortunately they didn’t see a need to communicate with each other!)

So the confusion which now exists is compounded. The Advent Weekday Gospel Acclamations do not match the sequence of antiphons in the Divine Office, and the order of verses in O Come, O Come, Emmanuel does not match either of them. Worse still, different translations of the hymn have the stanzas in differing sequences!

Table 2 attempts to show how this looks in practice:

Table 2

“O” ANTIPHONS ANALYSIS

DecemberDivine OfficeWeekday LectionaryJ.M. Neale et al. translation(19th/20th centuries) T.A. Lacey 
translation (18th century)
1717 O Wisdom1723 O come, O come, Emmanuel 23  O come, O come, Emmanuel
1818 O Adonai1817  O come, thou Wisdom from on high 17  O come, thou Wisdom from on high!
1919  O Root of Jesse1918  O come, O come, thou Lord of might 18  O come, O come, Adonai
2020 O Key of David23 or 2019  O come, thou Rod of Jesse, free 19 O come, thou Root of Jesse, draw
2121 O Dawn20 or 2321  O come, thou dayspring, come and cheer 20  O come, 
thou Lord of David’s Key!
2222 O King of the nations19 or 2220  O come, thou Key of David, come 21  O come, O come, thou Dayspring bright!
2323 O Emmanuel2222  O come, desire of nations, bind 22  O come, Desire of nations! show
24—–21    

Now we come to the crux of the problem, which is that the Sunday Lectionary in Advent has a completely different structure, one which bears no relation to the structure used in the Divine Office nor the one in the Weekday Lectionary. On Sundays, which is what our pastoral musician is normally concerned with, Advent is divided not into two but into three parts. This division was first noted by John Ainslie in 1971 and incorporated into the organisation of the UK hymnbook Praise the Lord, revised and enlarged (Geoffrey Chapman, Wimbledon, 1972). The three sections of Advent in that book were entitled Christ’s Second ComingPreparing for Christ’s Coming, and Preparing for Christmas. Table 3 uses different terminology but the meaning is the same:

Table 3

STRUCTURE OF ADVENT (Sunday Lectionary)

The Second Coming1st Sunday of Advent
The Coming of Our Redeemer2nd Sunday of Advent
3rd Sunday of Advent
Pre-Christmas4th Sunday of Advent

This structure is based on an analysis of the scriptures for each day, and it is the same in all three years of the Lectionary cycle.

What are the implications of this structure? Well, on the 1st Sunday the readings encourage us to think about Christ’s coming again in glory at the end of time. On the 2nd and 3rd Sundays the theme is Christ the Liberator, the Redeemer, the Messiah, who comes to set his people free, bringing justice and peace. On the 4th Sunday, we are looking at the historical prelude to Christmas, with the narratives of the Annunciation, etc.

The 2nd and 3rd Sundays, therefore, are the optimum time to sing O Come, O Come, Emmanuel and ransom captive Israel, with its emphasis on the Messiah who sets his people free (free thine own from Satan’s tyranny) and prepares to lead them to the Kingdom (make straight the way that leads on high). John the Baptist appears on these Sundays as the forerunner of the Messiah. The hymn does have verses which tie in somewhat with the Second Coming, but the primary thrust of this hymn makes it fit most comfortably on the 2nd and 3rd Sundays, and not so well on the 1st and 4th Sundays. This is in contradiction to the older tradition, which would have the hymn only on the 3rd and 4th Sundays but not on the 1st and 2nd.

Which should we choose? 2nd and 3rd (Sunday Lectionary) or 3rd and 4th (Divine Office/Weekday Lectionary)? It is my contention that it is the current Sunday Lectionary that people experience in our parishes, and therefore this must be considered as taking priority over the older tradition of the Office. Most of our parishioners do not pray the Office, and many do not attend Mass on weekdays. What they are nourished with is the Sunday scriptures, and the music we select is based on those scriptures and not on whatever may or may not be happening in the Office. Perhaps one day both the Office and the Sunday and Weekday Lectionaries will be revised to bring them into closer harmony….

All of this means that we need to take extra care when planning our music for Advent. Anyone who uses O Come, O Come, Emmanuel as a kind of signature tune on all four Sundays of Advent may be just as much mistaken as the priest who won’t let that hymn be used at all until December 17. If we look at the readings, they will tell us what to do. 

Finally, just to make life even more complicated, in one sense Advent actually begins before Advent!  Some people are already very familiar with this. The theme of Christ’s Second Coming can already be found in the Sundays of Ordinary Time that precede the beginning of Advent itself, and this means that we can already be “preparing the way” by using hymns and songs on this theme before Advent itself starts ― see Table 4. If this seems strange, Advent in the Ambrosian Rite lasts for six weeks, not four, and some non-Catholic denominations have different numbers of weeks too. There is nothing sacred about a four-week Advent, and in fact different regions of the Church have had widely differing lengths for the Advent season at different times in history.

Table 4

THE SECOND COMING (Sunday Lectionary)

 Year C (Ordinary Time) to Year A (Advent)Year A (Ordinary Time) to Year B (Advent)Year B(Ordinary Time) to Year C (Advent)
32nd SundayYesYesNo
33rd SundayYesYesYes
34th Sunday (Christ the King)NoYesYes
1st Sunday of AdventYesYesYes
The 2nd Reading begins this “last times” theme 
even earlier, on Sundays
   29, 30, 31   30   32

© 1979, 1982, 1995, 1996, 1998, 2003, 2013, Paul Inwood

[This article has been revised, expanded and refined over the years, and also used as the basis for workshop presentations. In fact it started off life as a workshop at a Los Angeles Liturgy Conference in 1995, and some material is taken from an article in the St Thomas More Centre resource book He Comes to Set Us Free (1979). The string of copyright dates might pre-empt anyone tempted to comment that they have heard some or all of this before somewhere, or wondering if the author has stolen it from someone else!]

Paul Inwood

Paul Inwood is an internationally-known liturgist, author, speaker, organist and composer. He was NPM's 2009 Pastoral Musician of the Year, ACP's Distinguished Catholic Composer of the year 2022, and in 2015 won the Vatican competition for the official Hymn for the Holy Year of Mercy, His work is found in journals, blogs and hymnals across the English-speaking world and beyond.

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Comments

2 responses to “Structural Confusion in Advent”

  1. Karl Liam Saur

    I believe a working assumption that it is the lections that ought to be the nearly exclusive rudder of thematic programming of music at entrance, offertory, communion, and dismissal has proved … weak and vulnerable and is ever so slowly ebbing from the scene (the Pandemic did have the practical effect of giving it a major shove towards the exits, but it has a distance still to go).

    There’s an abundance of Advent music, and the season is both relatively short and overshadowed by the civic Christmastide that culminates (instead of commences) at Christmas Day. I am content to have Veni Veni Emmanuel reserved for the latter part of Advent as it makes room for other musical choices earlier in the short season.

    Now, I would be even more content to sing Lo! He Comes with Clouds Descending on the First Sunday of Advent (or, failing that, on Christ The King). (I don’t expect the delights of double descants by the inimitable Richard Marlow.)

    This month being the end of Year C, we get the Mobius strip of the last Sunday responsorial psalm being the first Sunday responsorial psalm of Year A, a nice touch by the arrangers of the lections cycles.

  2. Fergus Ryan

    Thank you for posting this. From memory, I’m thinking Advent has always had a mixture of the three elements – Second Coming, Coming of the Redeemer and prep for same, Preparation for the Nativity – through the season, maybe even more complex than we imagine.
    As for the scripture readings at Mass being the basis for our choice of hymnody during its celebration, the only central (Roman) indication for this is the example of the communion antiphon being taken from the Gospel reading in many instances. Since 1969 GIRM has suggested suitability for the liturgical season and left it there.
    Roman Advent is rather a late invention and is somewhat a stretching of the end of Post Pentecost period with its end times themes, 17th December being the beginning of the more ancient observance from then to Epiphany.


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