{"id":63018,"date":"2023-12-16T22:20:59","date_gmt":"2023-12-17T04:20:59","guid":{"rendered":"https:\/\/praytellblog.com\/?p=63018"},"modified":"2023-12-16T22:21:00","modified_gmt":"2023-12-17T04:21:00","slug":"addendum-to-new-english-language-hymns-for-the-feast-of-our-lady-of-guadalupe","status":"publish","type":"post","link":"https:\/\/praytellblog.com\/index.php\/2023\/12\/16\/addendum-to-new-english-language-hymns-for-the-feast-of-our-lady-of-guadalupe\/","title":{"rendered":"Addendum to \u201cNew English-language Hymns for the Feast of Our Lady of Guadalupe\u201d"},"content":{"rendered":"\n

Since my recent posting about two English-language hymns for the feast of Our Lady of Guadalupe that appear in The Divine Office Hymnal<\/em> (2023), Stephen Kasperick-Postellon, the music director-liturgist at St. Paul\u2019s Benedictine Monastery in Oakdale, MN, has provided a great deal of information that I had not been able to find prior to the posting.  With thanks for his research, I\u2019m offering an update for interested readers of my earlier post.<\/p>\n\n\n\n

First, here is the Spanish original \u201cEres mujer de casa, u, adem\u00e1s, peregrina\u201d of the hymn appearing as \u201cHeart of the household\u201d in The Divine Office Hymnal<\/em> with my slavish English translation:<\/p>\n\n\n\n

Eres mujer de casa y, adem\u00e1s, peregrina,
dedicada a lo tuyo como madre y esposa,
pero segues la huella por donde Dios camina
y est\u00e1s de coroz\u00f3n en cada cosa.<\/p>\n\n\n\n

You are the woman of the house and, furthermore, a pilgrim,<\/em>
dedicated to what is yours as mother and wife,<\/em>
but you (also) follow the path where God is walking<\/em>
and you do so wholeheartedly in everything.<\/em><\/p>\n\n\n\n

Est\u00e1s en la monta\u00f1a antes del alba,
-que el amor te apresura-,
y en cualquier otro Bel\u00e9n por esperar que nazca
de neuvo Dio, y preparer su cuna.<\/p>\n\n\n\n

On the mountain before the dawn you appear<\/em>
because love impels you\u2013<\/em>
and in whatever other Bethlehem to await the birth<\/em>
of God born anew, and to prepare his cradle.<\/em><\/p>\n\n\n\n

Te haces de nuestra raza,
pronuncias nuestra lengua con dulzura
y nos pides te hagamos una Casa,
para en ella monstramos tu sin igual ternura.<\/p>\n\n\n\n

You take up (membership in) our race,<\/em>
pronouncing our language with sweetness<\/em>
and you ask us to build a House for you<\/em>
so that we might show your tenderness without equal.<\/em><\/p>\n\n\n\n

Bajaz, subes, que para eso eres ave,
ayer por el Calvario y por el cielo,
hoy por la patria suave,
y en pos de ti volamos en tu veulo.<\/p>\n\n\n\n

You descend, you ascend, so that you are like a bird,<\/em>
yesterday (flying) down to Calvary and (then) up through the sky\/heaven,<\/em>
today to (our) beautiful homeland,<\/em>
and, following you, we fly in your flight.<\/em><\/p>\n\n\n\n

Gloria demos al Padre que no tuvo principio,
gloria perenna a Cristo que es el Hijo del Padre,
y al Espiritu Santo, Consolator divino.
!Que todo el universe los aclame!\u00a0 Amen.<\/p>\n\n\n\n

Let us give glory to the Father who has no beginning,<\/em>
eternal glory to Christ who is the Son of the Father,<\/em>
and to the Holy Spirit, Comforter divine.<\/em>
Let the entire universe acclaim you!\u00a0 Amen.<\/em><\/p>\n\n\n\n

Although the English-language translations in The Divine Office Hymnal are not constrained by end-rhymes, it is interesting to note that the Spanish original employs an abab end-rhyme scheme.<\/p>\n\n\n\n

Second, here is the Spanish original \u201cMorenez de morena hermosura\u201d of the Vespers hymn for the feast of Our Lady of Guadalupe with my slavish English translation:<\/p>\n\n\n\n

Morenez de morena hermosura,
No nevado cando de jazm\u00edn;
S\u00ed amalgama, cresol que madura
Nuestra sed del Amor, mar sin fin.<\/p>\n\n\n\n

Brown-haired lady of brown beauty,<\/em>
Not the snowy radiance of jasmine;<\/em>
Yes, you who unite, crucible that matures<\/em>
Our thirst for Love, sea without end.<\/em><\/p>\n\n\n\n

Ella es reina, nosotros vasallos;
Ella es r\u00edo, nosotros la sed;
Ella estrella, nosotros los rayos;
Ella nave, nosotros la red.<\/p>\n\n\n\n

She is the queen, we her vassals\/servants;<\/em>
She is the river, we the thirst;<\/em>
She (is) the star, we the rays;<\/em>
She (is) the ship, we the net.<\/em><\/p>\n\n\n\n

Sobre ell surco del llanto, sus ojos,
Sobre el hambre de Madre, su amor;
Sus dos manos, un viento de rezos,
En la noche de Am\u00e9rica, sol.<\/p>\n\n\n\n

Over the furrow of tears, her eyes,<\/em>
Over (a) Mother\u2019s hunger, her love;<\/em>
Her two hands, a breeze of prayers,<\/em>
In the night of America, the sun.<\/em><\/p>\n\n\n\n

Cuando el valle se viste de sombras
Y el silenio es la voz del hogar,
Te loamos, Se\u00f1or, que te nombras
El Amor no agotado de amar.\u00a0 Amen.<\/p>\n\n\n\n

When the valley dresses itself in shadows<\/em>
And silence is the voice of the home,<\/em>
We praise you, Lord, who names yourself<\/em>
The Love never exhausted by loving.\u00a0 Amen<\/em>.<\/p>\n\n\n\n

Note that, although the English translation doesn\u2019t use end-rhyme, the Spanish original employs an abab end-rhyme scheme.<\/p>\n\n\n\n

Finally, Mr. Kasperick-Postellon also found an a capella recording of \u201cMorenez de morena hermosura\u201d online: https:\/\/mail.google.com\/mail\/u\/0\/?tab=rm&pli=1#inbox\/FMfcgzGwJJTdHdTzZHNrclzGQrSWKQKq?projector=1<\/a>.  The question of where or how widely used this yoking of hymn-text and melody is remains open.<\/p>\n","protected":false},"excerpt":{"rendered":"

Since my recent posting about two English-language hymns for the feast of Our Lady of Guadalupe that appear in The Divine Office Hymnal (2023), Stephen Kasperick-Postellon, the music director-liturgist at St. Paul\u2019s Benedictine Monastery in Oakdale, MN, has provided a great deal of information that I had not been able to find prior to the […]<\/p>\n","protected":false},"author":17,"featured_media":63023,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false},"categories":[14,22],"tags":[3644,62,3271,2185],"class_list":["post-63018","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inculturation","category-music-hymns","tag-divine-office-hymnal","tag-gia","tag-hymnody","tag-our-lady-of-guadalupe"],"yoast_head":"\nAddendum to \u201cNew English-language Hymns for the Feast of Our Lady of Guadalupe\u201d - 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(Jan) Michael Joncas holds degrees in English from the (then) College of St. Thomas in St. Paul, MN, and in liturgical studies from the University of Notre Dame, Notre Dame, IN and the Pontificio Istituto Liturgico of the Ateneo S. Anselmo in Rome. He has served as a parochial vicar, a campus minister, and a parochial administrator (pastor). He is the author of six books and more than two hundred fifty articles and reviews in journals such as Worship, Ecclesia Orans, and Questions Liturgiques. He has composed and arranged more than 300 pieces of liturgical music. 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