{"id":41526,"date":"2018-04-07T11:00:57","date_gmt":"2018-04-07T16:00:57","guid":{"rendered":"https:\/\/praytellblog.com\/?p=41526"},"modified":"2018-04-16T07:50:54","modified_gmt":"2018-04-16T12:50:54","slug":"revival-tony-alonso-gives-new-life-to-classic-hymns","status":"publish","type":"post","link":"https:\/\/praytellblog.com\/index.php\/2018\/04\/07\/revival-tony-alonso-gives-new-life-to-classic-hymns\/","title":{"rendered":"Revival! Tony Alonso Gives New Life to Classic Hymns"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-41528 alignright\" src=\"https:\/\/praytellblog.com\/wp-content\/uploads\/2018\/04\/Revival.jpg\" alt=\"\" width=\"173\" height=\"261\" \/>Do you know of <em><a href=\"https:\/\/www.giamusic.com\/store\/resource\/revival-spiral-edition-print-g9538\">Revival<\/a>\u00a0<\/em>by Tony Alonso? Click \u201cPreview\u201d in that link and you\u2019ll see that Alonso\u2019s music collection is filled with classic old hymns such as \u201cPraise to the Lord,\u201d \u201cHow Firm a Foundation,\u201d \u201cHoly, Holy, Holy,\u201d \u201cLet All Mortal Flesh Keep Silence,\u201d \u201cCome, Holy Ghost,\u201d \u201cThe King of Love,\u201d and more.<\/p>\n<p>But these golden oldies are <em>revived<\/em> in an entirely new style \u2013 with contemporary piano accompaniment, gentle syncopation, chords with added seconds and major sevenths, rhythm parts, and the like. As the subtitle has it, \u201cTraditional hymns for contemporary ensembles.\u201d<\/p>\n<p>For a taste of what this sounds like, <a href=\"https:\/\/www.giamusic.com\/store\/search?elSearchTerm=christ+the+lord+is+risen+today+alonso&amp;x=0&amp;y=0\">here<\/a>\u00a0is the Easter hymn \u201cChrist the Lord is Risen Today,\u201d text by Charles Wesley (1707-1788), Welsh tune from the 19th century. Click \u201cpreview\u201d to hear it when you see this:<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-41531\" src=\"https:\/\/praytellblog.com\/wp-content\/uploads\/2018\/04\/Revival-preview-1.jpg\" alt=\"\" width=\"535\" height=\"164\" \/><\/p>\n<p>This collection from Alonso is part of a movement underfoot, especially in contemporary Protestant circles, to <a href=\"http:\/\/www.newreleasetoday.com\/article.php?article_id=1713\">modernize or reimagine<\/a>\u00a0classic hymns. Sometimes \u2013 and this is different from Alonso\u2019s aim \u2013 old classics are turned into Christian contemporary music to listen to. Here\u2019s Audrey Assad singing (or is it \u201csighing\u201d?) \u201cHoly, Holy Holy.\u201d<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/AgHrNNM23p8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>But Alonso\u2019s collection is solidly congregational, intended for liturgical use. As he writes in the Introductory Notes,<\/p>\n<blockquote><p>\u2026 In most Catholic and mainline Protestant hymnals, the accompaniments for many of our most beloved hymns are intended for organ. For pianists, the challenge of leading hymns from accompaniments crafted for organ often evokes two responses. On the one hand, the paleness of organ accompaniments played on the piano can cause those who do not have the improvisatory skills necessary to translate such accompaniments into a style more idiomatic to the piano to avoid the use of such <img loading=\"lazy\" decoding=\"async\" class=\"wp-image-41527 alignleft\" src=\"https:\/\/praytellblog.com\/wp-content\/uploads\/2018\/04\/Alonso.jpg\" alt=\"\" width=\"236\" height=\"231\" \/>hymns altogether. On the other hand, the accompaniments of skilled improvisers can often prevent other ensemble members without those same abilities from playing with them. And because the four-part harmonizations found in most hymnals do not match their spontaneous inventions, the choir is limited to exclusively unison singing.<\/p>\n<p>This collection is an attempt to provide piano-based ensembles with a resource to keep a strong tradition of hymn singing alive by offering accessible arrangements of familiar hymns for contemporary ensembles. While there is nothing preventing them from being used as such, these editions are intended not primarily as choral anthems, but as arrangements that can lead and inspire the singing of the liturgical assembly. \u2026<\/p><\/blockquote>\n<p>I think this is a positive development. It promises to enrich greatly the range of repertoire used by \u201ccontemporary\u201d ensembles. It helps ensure that great poetry from the centuries-long treasury of ecumenical hymnody remains in use (or\u00a0is introduced into use) in Catholic and Protestant worship.<\/p>\n<p>I\u2019m sure some will have mixed feeling about this movement. I think I understand why. As a monk of St. John\u2019s Abbey, and chapel worship director in our School of Theology and Seminary, I play and sing classical hymns with organ accompaniment three or four times a day in the abbey and grad school. Think <em>Hymnal 1982<\/em> (one of the hymnals in the abbey choir stalls). I very much like the <em>power<\/em> and <em>coherence<\/em> of solid hymnody, benefitting from a Lutheran sort of strong organ accompaniment which is kind of in the water supply and part of the cultural experience of Minnesotans.<\/p>\n<p>From that context I can readily see why some will find revived-reimagined-modernized hymns just a bit, oh, I don\u2019t know, slick and commercialized, and maybe trendy. I myself worry a bit about watering down or disrespecting a long-standing cultural tradition.<\/p>\n<p>But I know better than to run very far with that line of thought. It risks becoming self-congratulatory elitism. And worse, <em>uninformed<\/em> elitism.<\/p>\n<p>Reappropriating and rearranging music has been going on for centuries now in the West. Bach (18<sup>th<\/sup> century) didn\u2019t bat an eyelash to add wind instruments and organ to the unaccompanied <em>Missa Sine Nomine<\/em> of Palestrina (16th\u00a0century). In the 19th\u00a0century, the brightest and best thought nothing of performing Bach\u2019s keyboard music in recital on the type of concert grand piano that didn\u2019t exist in Bach\u2019s time. (See my<a href=\"https:\/\/www.amazon.com\/dp\/B0096UERKO\/ref=dp-kindle-redirect?_encoding=UTF8&amp;btkr=1\"> big book<\/a>, pp. 71, 159). The idea in the West that music should only be done in the original way and faithful to the original context is about five minutes old \u2013 with roots in the 19th\u00a0century but only coming into its own in the second half of the 20th\u00a0century.<\/p>\n<p>In <em>our <\/em>century, let\u2019s do what works \u2013 on our terms, based on our needs and our aspirations. If <em>Revival<\/em> makes it possible for a classic hymn to be done at all the weekend liturgies of a parish, by all the ensembles from traditional choir to contemporary ensemble, by all the musicians from organist to electric piano player, that is a very good thing.<\/p>\n<p>As eminent Methodist hymnologist Don Saliers writes,<\/p>\n<blockquote><p>Tony Alonso\u2019s\u00a0<em>Revival\u00a0<\/em>offers us fourteen wonderfully arranged familiar hymns\u2014musically accessible and a delight to sing. Flexibly crafted for voices, piano and guitar with lovely optional descants, this is an ecumenical gift and bridge-builder between classical and contemporary approaches to hymns in the liturgy. It should be in every parish\u2019s working library.<\/p><\/blockquote>\n<p>Collections like <em>Revival<\/em> are not simply a way for contemporary ensembles to plant deeper roots and tap into more traditional repertoires. It is a way for all of us to hear old hymns with new ears, in a new way.<\/p>\n<p>Oh &#8211; and I love the archaic-modern cover design!<\/p>\n<p>awr<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Traditional hymns for contemporary ensembles.<\/p>\n","protected":false},"author":27,"featured_media":41529,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3118,14,22],"tags":[],"class_list":["post-41526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ars-celebrandi-new-ws","category-inculturation","category-music-hymns"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Revival! 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Anthony Ruff, OSB, is a monk of St. John's Abbey. He teaches liturgy, liturgical music, and Gregorian chant at St. John's University School of Theology-Seminary. He is widely published and frequently presents across the country on liturgy and music. He is the author of Sacred Music and Liturgical Reform: Treasures and Transformations, and of Responsorial Psalms for Weekday Mass: Advent, Christmas, Lent, Easter. He does priestly ministry at the neighboring community of Benedictine sisters in St. Joseph.","url":"https:\/\/praytellblog.com\/index.php\/author\/aruff\/"}]}},"jetpack_featured_media_url":"https:\/\/praytellblog.com\/wp-content\/uploads\/2018\/04\/Revival-1.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/posts\/41526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/comments?post=41526"}],"version-history":[{"count":6,"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/posts\/41526\/revisions"}],"predecessor-version":[{"id":41537,"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/posts\/41526\/revisions\/41537"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/media\/41529"}],"wp:attachment":[{"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/media?parent=41526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/categories?post=41526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/praytellblog.com\/index.php\/wp-json\/wp\/v2\/tags?post=41526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}