{"id":26756,"date":"2014-08-01T08:24:45","date_gmt":"2014-08-01T13:24:45","guid":{"rendered":"https:\/\/praytellblog.com\/?p=26756"},"modified":"2014-08-01T08:42:14","modified_gmt":"2014-08-01T13:42:14","slug":"notre-dame-sacred-music-degree-program-moves-out-of-theology-department","status":"publish","type":"post","link":"https:\/\/praytellblog.com\/index.php\/2014\/08\/01\/notre-dame-sacred-music-degree-program-moves-out-of-theology-department\/","title":{"rendered":"Notre Dame Sacred Music Degree Program Moves out of Theology Department"},"content":{"rendered":"

As of this morning, the music department website<\/a> of Notre Dame University was still saying this about the Master of Sacred Music degree program:<\/p>\n

The graduate program in sacred music is administered in the Department of Theology, and overseen by an interdepartmental committee (Music and Theology). Accreditation is granted through the Association of Theological Schools (ATS). Following the principles of the document Sing to the Lord: Music in Divine Worship<\/em> (Committee on Divine Worship: USCCB, 2007), the program is multi-faceted, embracing in particular three dimensions: music, liturgy, and pastoral practice.<\/p><\/blockquote>\n

But the Sacred Music at Notre Dame<\/a> website was revised last week, and it tells a different story:<\/p>\n

The Master of Sacred Music degree program, founded in 2005, is currently situated in the College of Arts & Letters with major participation from faculty in the Department of Theology & the Department of Music.<\/p><\/blockquote>\n

The updated website reflects a recent significant change in the administration of the Notre Dame\u2019s graduate sacred music program, with possible changes coming also in the character and emphases of the program.<\/p>\n

Here\u2019s what happened: program director Margot Fassler secured from the Dean of the College of Arts and Letters, John McGreevy, the relocation of the Sacred Music program out of Theology \u2013 without their consultation \u2013 and into the College of Arts and Letters as an independent, free-standing program. The change in locus was announced this summer as an accomplished fact to the theology department.<\/p>\n

Theology department member Fr.\u00a0 Michael Driscoll, founding director\u00a0of the sacred music program in 2005, has now resigned from Executive Committee of the program.<\/p>\n

Theology department chair Matthew Ashley spoke supportively of the change in the program, which he said will \u201crecognize its genuinely interdisciplinary character.\u201d He pointed out to Pray Tell <\/em>that music department members previously \u201cdid not have full juridical voice in the program’s governance since they are not voting members of the theology faculty.\u201d Now music and theology faculty will be on equal footing as members of departments with which the sacred music program partners. \u201cWe will cooperate with the program in a way that best suits its needs,\u201d Ashley said.<\/p>\n

Officials at Notre Dame foresee that the sacred music degree program will lose its accreditation\u00a0from the Association of Theological Schools<\/a> with its move from the theology department. But Fassler expressed the hope that this accreditation, and further accreditation with the National Association of Schools of Music, will be attained through her efforts.<\/p>\n

The Sacred Music at Notre Dame<\/a>\u00a0website shows how extensive the well-funded sacred music program is at Notre Dame. Under Fassler\u2019s energetic leadership, everything is set for the program to flourish in days ahead \u2013 not least when it gets its own space in the new music building of the Crossroads Project<\/a>.<\/p>\n

Fassler told Pray Tell <\/em>that \u201cthe Dean wants to strength Sacred Music at Notre Dame by making it independent, more along the model of the Yale Institute of Sacred Music, and this will allow for very strong partnerships with the Department of Music and with the Department of Theology\u201d and with other entities at Notre Dame. Fassler was director of the Institute of Sacred Music at Yale from 1994 to 2004 before coming to Notre Dame in 2010.<\/p>\n

It seems that the curriculum of Notre Dame\u2019s program will be changing along the lines of Yale\u2019s renowned Institute of Sacred Music, with greater freedom in course selection. Previously all masters sacred music students at Notre Dame took a core of Catholic liturgy courses, including Eucharist, Liturgical Year, Liturgical Prayer, and two further\u00a0liturgy electives. In the future, according to Fassler, the requirement will be reduced to four courses in \u201cliturgy\/ritual studies,\u201d and these will all be electives. This coming fall, for example, sacred music students will be able to take a liturgy course from Peter Jeffrey on \u201cOrdo Romanus Primus,\u201d an arcane document on seventh-century papal liturgy of great interest to liturgiologists and musicologists. But they will not be required to take core courses in liturgy.<\/p>\n

To be sure, Eucharist is among the liturgy courses offered for sacred music students this coming fall \u2013 but in the future this will be an elective, and it will be possible for a student to receive a sacred music degree without taking it, or Liturgical Year, or Liturgical Prayer. What a student takes will depend upon what courses are offered by individual professors, whether they are approved by the program’s curriculum committee,\u00a0whether there are seats available, and ultimately, what the student wishes to take. Some students may come out well-formed in the principles and contemporary liturgical studies, but future employers will want to know that it is not a necessary part of the program. Still, with all these planned revisions, Fassler told Pray Tell <\/em>that \u201cthe MSM curriculum is not changing to a great degree.\u201d<\/p>\n

The U.S. bishops\u2019 2007 document Sing to the Lord<\/em> calls for directors of music to be \u201cproperly trained to express our faith tradition effectively and with pastoral sensitivity.\u201d The bishops say:<\/p>\n

Pastoral musicians should receive appropriate formation that is based on their baptismal call to discipleship; that grounds them in a love for and knowledge of Scripture, Catholic teaching, Liturgy, and music; and that equips them with the musical, liturgical, and pastoral skills to serve the Church at prayer.<\/p><\/blockquote>\n

With such openness in degree requirement in the liturgy area at Notre Dame, meeting the bishops\u2019 directives will depend upon how students are advised and what courses they elect to take.<\/p>\n

For her part, Fassler is very optimistic about sacred music at Notre Dame:<\/p>\n

We are not yet 10 years old.\u00a0The work has just begun.\u00a0It is far too soon to say exactly how things will play out in the immediate future.\u00a0But we have an exceedingly devoted group of faculty, extraordinary students, an administration that cares intensely for us, and strong ties to our major partners, the Departments of Music and Theology.<\/p><\/blockquote>\n

awr<\/p>\n

The author teaches in the liturgical music degree program of the School of Theology\u2022Seminary of St. John\u2019s University.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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