{"id":26072,"date":"2014-05-29T15:58:59","date_gmt":"2014-05-29T20:58:59","guid":{"rendered":"https:\/\/praytellblog.com\/?p=26072"},"modified":"2024-09-26T18:36:42","modified_gmt":"2024-09-26T23:36:42","slug":"non-solum-using-historic-vessels-and-vestments","status":"publish","type":"post","link":"https:\/\/praytellblog.com\/index.php\/2014\/05\/29\/non-solum-using-historic-vessels-and-vestments\/","title":{"rendered":"<i>Non Solum:<\/i> Using historic vessels and vestments"},"content":{"rendered":"<p>This week I have been working on a new\u00a0series for <em>Pray Tell<\/em> that has me digging\u00a0through Collegeville&#8217;s liturgical vaults. Working on this project got me thinking: When is it appropriate to use historic vessels and vestments?<\/p>\n<p>Often times, these historic pieces\u00a0seem ostentatious and at first glance, appear to be incompatible with the reformed liturgy. For instance, the gold thread fiddlebacks of yesteryear are hardly ever used within the context of the post-Vatican II liturgy because\u00a0for some, they\u00a0are\u00a0a symbol of the pre-Vatican II Church and a rallying cry for those who wish to limit its reforms.<\/p>\n<p>I get it. The ardor with which the fiddleback is tied to the Tridentine liturgy makes it\u00a0unsuitable for\u00a0fiddlebacks to be used in the post-conciliar liturgy despite their beauty and artistic worth. However, there are other historic items which are\u00a0less controversial and which could be\u00a0used today.<\/p>\n<p>How\u00a0do we\u00a0prevent our\u00a0historic vessels and vestments from becoming museum pieces? Vatican II must be our guide when determining what is acceptable to keep in liturgical use.<\/p>\n<p>What are your thoughts? What does your community do with its historic vessels and vestments? Please comment below.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>How do we save our liturgical vessels and vestments from becoming museum pieces?<\/p>\n","protected":false},"author":51,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false},"categories":[8,3813],"tags":[2560],"class_list":["post-26072","post","type-post","status-publish","format-standard","hentry","category-art-and-architecture","category-non-solum","tag-non-solum"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Non Solum: Using historic vessels and vestments - 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Chase is Assistant Professor of Liturgical and Sacramental Theology at Aquinas Institute of Theology in St. Louis, MO. He has contributed a number of articles to the field of liturgical studies, including pieces on liturgy in the early Church, initiation, the Eucharist, inculturation, and the Western Non-Roman Rites, in particular the Hispano-Mozarabic tradition. His first book The Homiliae Toletanae and the Theology of Lent and Easter was published in 2020. 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